Bridging culture with art, Kaci Merriwether Hawkins cultivates a community for Black artists and appreciators. As Merriwether-Hawkins attended various art events and began documenting them online, she realized just how many of her followers rarely even knew these experiences were being hosted around them. She decided to bring it upon herself to make content that directed individuals to such events. However, the work felt “empty” and she wanted to take it a step forward: “I understood what it was like to be Black in a predominantly white art space – I’ve experienced that as a consumer and a creator myself.” ”I was like, It’s not enough to just show people where the art is, let’s help them get there, and, when they get there, let’s make sure that they’re comfortable while they’re there.”
Starting by pulling together a very small online community, Merriwether-Hawkins hosted her first event for Black Girls in Art Spaces at the Daisha Board Gallery in Dallas. Instantly, the movement caught fire, and individuals from all over the globe wanted to open their own chapter. Each chapter works a little differently – whether it be through flower making events, museum tours, or art workshops; however, they all follow BGIAS’ same mission – to host virtually free, inclusive events that allow Black women to find their place and people in the art world. BGIAS is driving the community viewpoint of what constitutes as art and exposing the many avenues these women may follow in the art world.
Merriwether-Hawkins is not just creating events – she is building a movement rooted in care, representation, and creative power. BGIAS continuously redefines who art spaces are for and how they should feel. It is not simply about increasing visibility; it’s about fostering belonging, joy, and cultural affirmation. It every chapter, and with every gathering, BGIAS is painting a future where Black girls are not only welcomed into the art world – but celebrated as the visionaries shaping it.
Boundless HER 